Since the mid 1990s, Andra has been developing an approach to the creation of electroacoustic soundwalk art, which integrates audience responses into the creative development of walks and installations. Through her background in ethnomusicology, communication, and cultural studies, she thinks and writes about electroacoustic, sound art and sound recording fields as cultures, considering what kinds of interpretive routines are acceptable within these disciplines, and how aesthetic and professional discourses are established.
Research Interests

sound walks, sound art, ethnomusicology, electroacoustics, women soundmakers

MML projects